Describe the video. Kinetic writes the scenes, generates the stills, animates them with frontier video models, narrates, scores, renders in every size and posts it to your own accounts.
7-day trial on the Creator plan, no card. Every step is a real provider call you can see, priced in credits, never a placeholder. Prefer a live session?
Reels, square and landscape — script, stills, motion, narration and render, from one paragraph. Nothing was hand-edited afterwards. Hover any clip to read its brief or start from it.
A 20-second perfume ad with real movement in every shot. A glass bottle turning slowly on a marble surface as light sweeps across it; silk fabric falling behind it; a woman's hand reaching in and lifting the bottle; the stopper drawn out in close-up. Slow, deliberate camera moves, shallow depth of field, warm low light. Luxury product film, no text on screen, no people speaking.
A 20-second appeal for a community food bank's winter drive: the warehouse shelves, volunteers packing boxes, a family collecting a parcel, and a call to donate a box this week.
A 20-second travel short for a coastal town in autumn: cliffs at golden hour, a harbour cafe, a quiet beach at low tide, and a call to plan a weekend visit.
A hands-only UGC-style demo of a vitamin C serum: two drops on the back of the hand, a gentle pat-in, the bottle on a bathroom shelf, and one honest line about morning use.
A listing video for a bright two-bedroom apartment in a walkable neighbourhood: morning light in the living room, the kitchen, the balcony view, and a call to book a viewing.
A 15-second launch ad for a linen shirt collection: fabric texture in daylight, three colours on a rail, the shirt worn on a walk, and a call to shop the drop.
A creator films herself on her phone in her kitchen, morning light, talking straight to camera about a coffee subscription she has been using for a month. Vertical phone framing, handheld, natural light, no studio look. She holds the bag up to the lens, pours a cup, and ends on an honest line about whether it is worth it. Casual and specific, not an advert read.
Arm's-length selfie video, front camera, the runner's face filling the top of the vertical frame and looking straight into the lens the whole time. He is on his front step in daylight with a shoe box on his knees. He talks to camera about what he wanted from these shoes, holds the shoe up close to the lens so it fills the frame, then flips the camera down to his feet as he laces up and walks off. Handheld, slightly shaky, no tripod, no studio lighting. Honest first impression, no hype.
A student films herself at her desk in a dorm room, evening, lamp light, talking to camera about a note-taking app she uses for lectures. Vertical phone framing, handheld. She shows her phone screen with the app open, flicks through her notes, and ends with the one feature she actually uses every day. Relaxed and specific.
A creator films himself on his phone opening a meal-kit box on his kitchen counter after work. Vertical phone framing, handheld, warm kitchen light. He talks to camera while unpacking the ingredients, cooks quickly at the hob, and ends with the finished plate and a straight verdict on whether it beat a takeaway.
A founder update from a small SaaS company: what shipped this month, why it matters for customers, and what is next. Warm and direct, no hype.
Explain a habit-tracking fitness app in 20 seconds: the problem of skipped workouts, one clear demo of daily check-ins, and the outcome of a streak kept for a month. End with a download call to action.
A 15-second ad for a small-batch coffee roaster: the morning ritual, beans roasted this week, the pour, and one direct call to action to order online.
A 15-second ad announcing a neighbourhood restaurant's opening week: the open kitchen, one signature dish plated, the room filling at dusk, and a call to reserve a table.
Explain a customer-support copilot for enterprise teams in 25 seconds: inbound tickets pile up, the copilot drafts replies with sources, an agent approves in one click, and teams answer faster.
A product film for a city electric bike: the frame in a studio, a rider through morning traffic, the battery clicking in, and a call to book a test ride.
A 15-second ad for an online course on public speaking: the fear before a talk, one practical technique shown, the confident delivery, and a call to enrol for the next cohort.
Type a prompt on the home screen, or open the Director for a form that already knows what a short video, a social video with a recurring character, or a product ad needs.
Describe what the video is about, pick one of twelve visual styles, set the target length and upload references. The writer turns it into scenes with narration and a visual prompt each.
Import or describe a character once. Every video opens with them, keeps them consistent scene to scene, and hands off to your screenshots when the features start.
Give the studio the product name, why it is worth buying and the photos. It writes the pitch, places the photos on the right scenes and renders the ad in every size you need.
Most teams stitch this together from a script doc, three generators, an editor and a scheduler. Kinetic runs it as one project you can re-render at any step.
Type what you want on the Kinetic home or open the Director for a guided form. The brief, format and target length become the project.
An LLM writes the scene script: caption, narration, visual prompt and duration per scene. Edit any line. Pick a scene visual from your library at any time.
FLUX.2, Seedream 4, Nano Banana and Imagen 4 for scene stills and ad backgrounds, or the standard models on lower tiers. Regenerate only the scenes that are missing.
Animate any scene with Kling, Veo, Seedance, Hailuo, LTX-2, Wan, Grok or Runway. When a model is not configured the render says "motion skipped", it never fakes it.
ElevenLabs or OpenAI voices, auditioned on the hook before you commit; an AI music bed from ElevenLabs Music when you want one.
Captions, crossfades, brand card, music bed and your logo watermark on the scenes you choose. Post or schedule to LinkedIn, Facebook Pages and X from the studio, with the live link next to the video once it is up.
Short video, social video and product ad forms with reference uploads and character consistency, so the first draft is already close.
Still creatives at the placement sizes the networks actually accept, with headline, CTA and brand composited for you.
Position, size and opacity per scene. Watermark the product shots, leave the hook clean.
Connect your own LinkedIn page, Facebook Page or X account in the Connections page. Posts show their status and the network link; failures show the exact error and a Retry.
A Creative Director plus strategist, scriptwriter, visual designer, voice producer and editor, running as a real team on the platform with 18 studio tools, reporting exactly what was produced.
Every image, clip, voice line and render is a real provider call recorded in your usage ledger and shown in credits before and after you spend them.
Generative video tools are easy to demo and hard to trust. Here is where ours draws the line.
Every step is a real provider call or a visible error. A missing key, a failed model or a skipped motion pass is shown on the project, never papered over with a stock clip.
You connect your own accounts and you press Publish, or you schedule it. The Creative Team proposes; posts go out only through the studio, within the limits your plan sets.
Heavier models cost more credits per action and the ledger says so per call. You always know what a video cost and what is left this month.
Uploads, generated stills, clips and renders live in your library and export as a package. Cancel and walk with everything.
Self-serve tiers priced in credits: one credit is one cent of retail value, and heavier models use more credits per action. Change or cancel from inside the product.
The same agent orchestration, credential hub, usage ledger and audit trail that run our other vertical solutions, not a wrapper around one model.
Bring your own fal, ElevenLabs or Stability keys in the Cloud Configuration Hub, or run on the platform's. Social app credentials live per organization.
The Creative Team runs as a hierarchical team with routing, timeboxes, a grounding pass and an independent judge, and every run lands in the ledger.
Every provider call is a ledger row with model, units and credits; plan limits are enforced by the platform, not by a counter in the app.
In one session you will write the script, pick the stills, hear the voice on the hook, render in three sizes and schedule the post to your own page. Then compare it with what your current stack needs to do the same thing.
Voices by ElevenLabs and OpenAI · Video models via fal and Runway · Publishing through your own LinkedIn, Meta and X apps